| Module 1: 1898-1921. The young Federico García Lorca |
Module 2: 1922-1926. The years of Early Maturity |
- Lorca’s Literary Education
- El maleficio de la mariposa
- Libros de poemas
- García Lorca and Fernando de los Ríos
"Balada triste. Pequeño poema"
(Ana Belén)
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- The 1920s: tradition and the avant-garde
- The emotion of Escalofrio
- An Open Forum
- García Lorca and Falla
"La guitarra"
(Ana Belén)
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| Module 3: 1927-1929. The Poet´s Light is that of Contradiction |
Module 4: 1930-1931. The Possible and the Impossible |
- An Avant-garde Reading of Romanticism
- Between the beauty of form and remarkable freedom
- The light of Contradiction
- Trip to the moon
- "1910 (Intermedio)"
"Nueva York: Oficina y denuncia"
(Ana Belén)
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- New York and Havana
- The Theatre of the Future: El Público and así que pasen cinco años
- The new life that is hovering over the world
- La Zapatera prodigiosa and Amor de Don Perlimplín
- García Lorca and Dalí
"Canción del pastor bobo"
(Ana Belén)
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| Module 5: 1932-1934. The Tragedy Begins |
Module 6: 1935-1936. The last Lorca |
- First Forays of La Barraca
- Lorquian tragedies
- Bodas de Sangre and Yerma
- Buenos Aires and the return to Spain
- Women in the play of Lorca
Fragmento de "Charla sobre teatro"
(Ana Belén)
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- Llanto por Ignacio Sánchez Mejías
- Diván del Tamarit
- Sonetos del Amor Oscuro
- Doña Rosita la soltera
- La casa de Bernarda Alba
- Drawings by García Lorca
"Gacela del niño muerto"
(Ana Belén)
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Across Module
International Lorquists
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Módulo Transversal
García Lorca and music in Granada
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- García Lorca a modern classic
- The lost love and the Vega of Granada
- García Lorca in Italy
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- García Lorca and Soleá Morente
- García Lorca and José Ignacio Lapido
- García Lorca and Eric Jiménez
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