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MOOC Flamenco. 4ª Edición
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MOOC´S ABIERTAUGR
flamenco_4ed
INFORMACIÓN GENERAL
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1.1. Feminine roots of Flamenco
1.2. Gypsy roots of Flamenco
1.3. In search of the origin of Flamenco
1.4. Blackness and otherness
Module 1 discussion forum
Module 1 Questionnaire
2.1. Archeology in 1922: The singing competition
2.2. Arqueología de 1922: el Concurso de Cante Jondo de Granada
2.2. Archeology in 1922: The singing competition
2.3. Artisitic culture in Granada in 1922
2.4. Intertextuality in Flamenco
Module 2 discussion forum
Module 2 Questionnaire
3.1. I dance because you exist
3.2. Flamenco, gender identity and orientation
3.3. Body and audiovisual identity of Flamenco
3.4. The dancing body
Module 3 discussion forum
Module 3 Questionnaire
4.1. Federico García Lorca and Flamenco
4.2. Flamenco and political revolution
4.3. Flamenco, consciousness, politics and feminism
4.4. Flamenco, communication and reception
Module 4 discussion forum
Module 4 Questionnaire
5.1. Granada, land of the guitar
5.2. African flamenco territory
5.3. From the Universal Exhibitions of 1889 and 1900 to the 1922 Cante Jondo Competition
5.4. Flamenco border topographies
Module 5 discussion forum
Module 5 Questionnaire
6.1. Flamenco movements
6.2. The voice of flamenco
6.3. The coding of a 'cante'
6.4. Flamenco listening: the possible silence
Module 6 discussion forum
Module 6 Questionnaire
Module 7 discussion forum
Course Guide
Tablón de Anuncios
Cafetería
Information Certificate
1.1. Feminine roots of Flamenco ►
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